Descent from the Cross: Pain and Grace in the Galleria dell’Accademia

"(《世界人权宣言》) 下十字架 设在 佛罗伦萨美术馆 是一幅情感深沉的作品。这幅作品出自佛罗伦萨文艺复兴晚期的艺术家之手,描绘的是基督的身体从十字架上取下,由圣母玛利亚和其他神圣人物支撑着的场景。精致的细节、充满哀伤的表情和细腻的色调使这幅作品成为对基督的人性和神性进行反思的时刻,将宗教的悲怆和非凡的艺术造诣融为一体。

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实用信息

Galleria dell’Accademia di Firenze

The Galleria dell’Accademia di Firenze is open from Tuesday to Sunday, from 8:15 am to 6:50 pm, with last entry at 6:20 pm. The museum is closed every Monday, on January 1st and December 25th.

It is strongly recommended to book in advance to avoid long waits. Closing procedures begin 10 minutes before closing time; therefore, access to some rooms may be limited starting from 6:40 pm.

  • Book in advance: Tickets for the Galleria dell’Accademia are in high demand. Book online to avoid long queues.
  • Visit early: Morning hours are less crowded, offering a more intimate experience.
  • Don’t miss the David: After admiring the Prisoners, Michelangelo’s David is the highlight of the visit.

如何前往

The Galleria dell’Accademia is located at Via Ricasoli 58-60, in the heart of Florence, just a few steps from the Duomo.

Here’s how to reach it:

  • On foot: From the Duomo, walk north for about 5 minutes along Via Ricasoli.
  • By bus: Urban lines 1, 6, and 14 stop near the entrance.
  • By train: From Santa Maria Novella station, it’s about a 15-minute walk.

历史

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

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Accademia Gallery Firenze attractions

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