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Descent from the Cross: Pain and Grace in the Galleria dell’Accademia

그리고 십자가에서 내려오기 에 보관된 피렌체의 갤러리아 델 아카데미아 는 깊은 감정의 강렬함이 느껴지는 작품입니다. 피렌체 르네상스 후기 예술가들이 그린 이 작품은 십자가에서 내려진 그리스도의 시신이 성모 마리아와 다른 성스러운 인물들에 의해 받쳐지고 있는 장면을 묘사하고 있습니다. 세련된 디테일과 슬픔이 가득한 표정, 섬세한 색조로 그리스도의 인성과 신성에 대한 성찰의 순간을 표현한 이 작품은 종교적 파토스와 뛰어난 예술적 숙련도가 결합된 작품입니다.

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Galleria dell’Accademia di Firenze

The Galleria dell’Accademia di Firenze is open from Tuesday to Sunday, from 8:15 am to 6:50 pm, with last entry at 6:20 pm. The museum is closed every Monday, on January 1st and December 25th.

It is strongly recommended to book in advance to avoid long waits. Closing procedures begin 10 minutes before closing time; therefore, access to some rooms may be limited starting from 6:40 pm.

  • Book in advance: Tickets for the Galleria dell’Accademia are in high demand. Book online to avoid long queues.
  • Visit early: Morning hours are less crowded, offering a more intimate experience.
  • Don’t miss the David: After admiring the Prisoners, Michelangelo’s David is the highlight of the visit.

찾아가는 방법

The Galleria dell’Accademia is located at Via Ricasoli 58-60, in the heart of Florence, just a few steps from the Duomo.

Here’s how to reach it:

  • On foot: From the Duomo, walk north for about 5 minutes along Via Ricasoli.
  • By bus: Urban lines 1, 6, and 14 stop near the entrance.
  • By train: From Santa Maria Novella station, it’s about a 15-minute walk.

역사

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

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Accademia Gallery Firenze attractions

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