十字架からの降下

Descent from the Cross: Pain and Grace in the Galleria dell’Accademia

について 十字架からの降下 に収容されている。 フィレンツェのアカデミア美術館 は、深い感情の激しさを持つ作品である。フィレンツェ・ルネサンス後期の画家たちの作品とされるこの場面は、十字架から降ろされたキリストの遺体を、聖母マリアや他の聖なる人物たちが支えている様子を描いている。洗練された細部、悲しみを湛えた表情、繊細な色調は、この作品をキリストの人間性と神性についての内省の瞬間とし、宗教的なペーソスと卓越した芸術性を結びつけている。

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役立つ情報

Galleria dell’Accademia di Firenze

The Galleria dell’Accademia di Firenze is open from Tuesday to Sunday, from 8:15 am to 6:50 pm, with last entry at 6:20 pm. The museum is closed every Monday, on January 1st and December 25th.

It is strongly recommended to book in advance to avoid long waits. Closing procedures begin 10 minutes before closing time; therefore, access to some rooms may be limited starting from 6:40 pm.

  • Book in advance: Tickets for the Galleria dell’Accademia are in high demand. Book online to avoid long queues.
  • Visit early: Morning hours are less crowded, offering a more intimate experience.
  • Don’t miss the David: After admiring the Prisoners, Michelangelo’s David is the highlight of the visit.

アクセス

The Galleria dell’Accademia is located at Via Ricasoli 58-60, in the heart of Florence, just a few steps from the Duomo.

Here’s how to reach it:

  • On foot: From the Duomo, walk north for about 5 minutes along Via Ricasoli.
  • By bus: Urban lines 1, 6, and 14 stop near the entrance.
  • By train: From Santa Maria Novella station, it’s about a 15-minute walk.

歴史

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

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Accademia Gallery Firenze attractions

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