Prisonniers par Michel-Ange

The Prisons by Michelangelo: A Journey into the Soul of Art

Le Prisonniers par Michel-Ange, hébergée à l'Institut d'études de marché de l'Union européenne (IEM). Galleria dell'Accademia à FlorenceCes sculptures inachevées comptent parmi les œuvres les plus fascinantes du maître de la Renaissance. Ces sculptures inachevées représentent des figures qui semblent lutter pour se libérer du marbre brut, incarnant un puissant symbolisme de la tension entre la matière et l'esprit. Les admirer, c'est entrer dans le processus créatif de Michel-Ange, découvrir un dialogue profond entre l'art, la liberté et les limites humaines.

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Informations utiles

Galleria dell’Accademia di Firenze

The Galleria dell’Accademia di Firenze is open from Tuesday to Sunday, from 8:15 am to 6:50 pm, with the last entry at 6:20 pm. The museum is closed every Monday, on 1st January and 25th December.

It is highly recommended to book in advance to avoid long waits. Closing procedures begin 10 minutes before closing time; therefore, access to some rooms may be limited from 6:40 pm.

  • Book in advance: Tickets for the Galleria dell’Accademia are in high demand. Book online to avoid long queues.
  • Visit early: Morning times are less crowded, offering a more intimate experience.
  • Don’t miss David: After admiring the Prisoners, Michelangelo’s David is the highlight of the visit.

Comment s'y rendre

The Accademia Gallery is located at Via Ricasoli 58-60, in the heart of Florence, just a few steps from the Duomo.

Here’s how to reach it:

  • On foot: From the Duomo, walk for about 5 minutes north along Via Ricasoli.
  • By bus: Urban lines 1, 6, and 14 stop near the entrance.
  • By train: From Santa Maria Novella station, it is about a 15-minute walk.

L'histoire

The Prisoners were initially conceived for the funerary monument of Pope Julius II, an ambitious project never completed in its entirety. Four of the sculptures, called "Atlases", were created between 1513 and 1534. Michelangelo decided to leave them unfinished, giving rise to a unique vision: figures that seem to emerge from the marble, in a timeless struggle against the weight of the material. This unfinished state allows us to observe the master's technique, where each chisel stroke reveals an imprisoned soul.

The Prisoners were initially conceived for the funerary monument of Pope Julius II, an ambitious project never completed in its entirety. Four of the sculptures, called “Atlases”, were created between 1513 and 1534. Michelangelo decided to leave them unfinished, giving rise to a unique vision: figures that seem to emerge from the marble, in a timeless struggle against the weight of the material. This unfinished state allows us to observe the master’s technique, where each chisel stroke reveals an imprisoned soul.

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