Descent from the Cross: Pain and Grace in the Galleria dell’Accademia

Den Nedstigning fra korset der ligger i Galleria dell'Accademia i Firenze er et værk af dyb følelsesmæssig intensitet. Scenen, der tilskrives kunstnere fra den sene florentinske renæssance, viser Kristi krop, der tages ned fra korset og støttes af Jomfru Maria og andre hellige figurer. De raffinerede detaljer, sorgfyldte udtryk og sarte farvetoner gør dette værk til et øjeblik af refleksion over Kristi menneskelighed og guddommelighed og kombinerer religiøs patos med ekstraordinært kunstnerisk mesterskab.

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Galleria dell’Accademia di Firenze

The Galleria dell’Accademia di Firenze is open from Tuesday to Sunday, from 8:15 am to 6:50 pm, with last entry at 6:20 pm. The museum is closed every Monday, on January 1st and December 25th.

It is strongly recommended to book in advance to avoid long waits. Closing procedures begin 10 minutes before closing time; therefore, access to some rooms may be limited starting from 6:40 pm.

  • Book in advance: Tickets for the Galleria dell’Accademia are in high demand. Book online to avoid long queues.
  • Visit early: Morning hours are less crowded, offering a more intimate experience.
  • Don’t miss the David: After admiring the Prisoners, Michelangelo’s David is the highlight of the visit.

Sådan kommer du derhen

The Galleria dell’Accademia is located at Via Ricasoli 58-60, in the heart of Florence, just a few steps from the Duomo.

Here’s how to reach it:

  • On foot: From the Duomo, walk north for about 5 minutes along Via Ricasoli.
  • By bus: Urban lines 1, 6, and 14 stop near the entrance.
  • By train: From Santa Maria Novella station, it’s about a 15-minute walk.

Historie

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

The Descent from the Cross is a work that embodies the profound spirituality of 16th-century Florentine art. Probably intended for an altar, it reflects the transition towards a more intimate and dramatic representation of sacred scenes, typical of Mannerism. The skilful use of light and shadow accentuates the three-dimensionality of the figures, while the details of the faces and gestures evoke an extraordinary empathy for human suffering. This work offers a unique vision of Christian piety and the artistic context of the time.

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